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The
Contribution of the Performer Reprint from Portland Songwriter Association Newsletter 1999 "I
don't want audiences to feel a specific thing. I just want audiences to
feel." The gift the performer brings to his or her audience is sometimes difficult to recognize
in a culture which often judges success by the size of ones house or the
amount of money one makes. As an artist, it's easy to fall into thinking
that performing doesn't really make much of a difference. After all, it's
not like being a doctor, a teacher, or a carpenter who bring a more
tangible service to the world. The power of genuinely sharing ones self affects others in all kinds of ways. Of course this can be confusing to the performer if he believes somehow his audience should feel what he feels or think what he thinks. Often the response of the listener is quite different than one would predict. For example, an artist lovingly performing a song that he wrote about the woman he's committed to may evoke anger in one and grief in another. The service the performer provides to his listeners is to affect them, not to control the nature of the listener's response. People want to feel. They need to feel. It's enlivening, healing, and joyous. They come to a concert to be turned on. They come usually ready and willing to be affected. The performer's homework is to grow in his own awareness of the emotions and thoughts, which live inside him. The master performer allows these thoughts and emotions, without judgment or censorship, and gives them a "voice" or expression. Life, really. This is the contribution the performer makes - a shared state of unconditionally or freedom to let things be exactly as they are in the moment.. It is these instances that inspire both audience and performer to celebrate and honor the emotions and thoughts that make us human. Toni Land
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